Dimopoulos’s paintings also embed his concerns about the human and environmental conditions. The Goldilocks Forest series uses the modern political concept of false news and ‘altered facts’ to address collective consciousness and the influence of story fabrication.

Dimopoulos creates these works using a technique of building up multiple layers of found poster papers that provide a tactile, sculptural density and uneven surface to the works. He then applies layers of natural resin to the paintings, a veneer of truth.